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FIG 8 Two handled cup and cover, c. 1705, Isaac Liger (d. 1730), London, silver, ht 18.1cm. Sterling and Francine Clark Art Institute, Williamstown, MA Photo courtesy the Clark Art Institute FIG 9 Barbara Wanley, Mrs Matthew Hutton (c. 1692–– 1750), 1715, John Verelst (fl. 1698–1734), oil on canvas, 125.1 x 99.7cm, Erddig, Clwyd Photo: © National Trust Images ACKNOWLEDGEMENTS I am grateful to Lord Egremont for permission to publish information on his plate, and to Christie’s for providing images. 1. J.A. Home (ed.), The Letters and Journals of Lady Mary Coke, 4 volumes, London, 1889–96, vol. 2, p. 130. 2. E.H. Burn, Modern Law of Real Property, London, 2000, pp. 1007–08. The situation was changed by the Married Women’s Property Act of 1870, which was superseded by the more comprehensive Married Women’s Property Act of 1882. Prior to these acts a married woman could hold and devise landed property (not personal estate) but any decisions about it were dependent upon the consent of her husband. A queen regnant was excepted. 3. Archives of the Duke of Northumberland at Alnwick Castle, List of the ninth Earl of Northumberland’s plate, 1617–22. By comparison, Henry Howard, first Earl of Northampton, James I’s Lord Privy Seal and the builder of Northampton (subsequently Northumberland) House, had 8 6,222 ounces of plate on his death in 1614 and Bess of Hardwick had 8,270 ounces in 1601. E.P. Shirley, ‘An inventory of the Effects of Henry Howard, K.G., Earl of Northampton, taken in 1614, with a Transcript of his Will’, Archaeologia, vol. 42, 1869, pp. 347–78; Santina Levey and Peter Thornton (eds.), Of Houshold Stuff: The 1601 Inventories of Bess of Hardwick, London, 2001, pp. 57–61. 4. Neither maker’s mark has been identified. That on the waiter is ‘IH’ with a fleur-de-lys between pellets beneath. See Ian Pickford (ed.), Jackson’s Silver & Gold Marks, Woodbridge, 1989, p. 136. That on the caster is ‘RR’ with an annulet between two pellets beneath, which does not appear in this work. 5. Burn, op. cit., p. 1008; A.C. Fox-Davies, A Complete Guide to Heraldry, London, 1985, pp. 13, 409–11. 6. Library of the Goldsmiths’ Company, Ledger of Thomas Wickes. The document is unpaginated. 7. Ibid. 8. R. Bucholz, ‘Seymour [née Percy], Elizabeth, duchess of Somerset (1667–1722)’, Oxford Dictionary of National Biography online edition [accessed 30 March 2018: https://doi.org/10.1093/ ref:odnb/21925]. 9. In 1702 the Duchess was appointed one of Queen Anne’s ladies of the bedchamber and in 1711 she was elevated to groom of the stole and mistress of the robes. The latter two roles brought a total salary of £2,600 per annum. See Petworth House Archive (PHA) 300
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silver patronage  31 9 ‘Money Received and Paide for Her Grace the Duchess of Somerset [as groom of the stole etc] from the 5th of february 1711 to the 25th of March 1714’. 10. PHA 259–293 Duchess of Somerset’s bills 1680–1716. Among the artists were Sir Peter Lely, Sir Godfrey Kneller, Michael Dahl and Charles D’Agar. 11. The duchess’s bills confirm Julian Cousins’s conclusion that Anne Harache was acting for her husband, Pierre Harache I, and had not, as is commonly supposed, taken over his business after his assumed death. See, for instance, PHA, 268/7, Bill dated 9 May 1692 for plate by Pierre Harache, receipted by Anne Harache on 29 September 1692. Julian Cousins, ‘Pierre Harache I and II: A challenge to current attributions’, Silver Studies, vol. 19, 2005, pp. 74–75. 12. Henrietta was the widow of Daniel Guichardiere, goldsmith of St Martin-in-the-Fields, whose business she evidently carried on. See The National Archives (TNA), PROB 11/445/30, Will of Daniel Guichardiere (proved 4 April 1698) and TNA, PROB 11/550/228, Will of Henrietta Guichardiere (proved 7 February 1716). See also Brian Beet, ‘Huguenot Refugees from Anjou’, Silver Society Journal, vol. 10, 1998, pp. 12–13. 13. PHA, 258–298, Duchess of Somerset’s bills, 1679–1720. 14. The dining plate and silver furnishings do not appear among the duchess’s purchases. No comprehensive list survives of the sixth duke’s holdings of silver. What was at Petworth on his death in 1748 is recorded in PHA, 6262, ‘The Inventory Book att Petworth Janry 17th 1748 of Plate, Linning & China’. There is little dining plate, the bulk presumably being at Northumberland House. The furnishing silver – a cistern with the arms of the earls of Northumberland, andirons and other fire furniture, a set of table, stands and mirror all inlaid with silver, numerous sconces and an eight-branch chandelier – are also specified in the duke’s will, TNA, PROB 11/766/395 (proved 19 December 1748). For a surviving piece of dining plate – a stand of 1689 by Pierre Harache I – see Christopher Hartop, The Huguenot Legacy, London, 1996, pp. 134–39. 15. PHA, 265/8, Bill for plate supplied by Richard Hoare between 3 April 1688 and 28 January 1688/9, receipted 5 February 1688/9. 16. TNA, LC 9/44, Jewel Office delivery book 1698–1732, f. 167 (‘twelve Spoones & twelve fforks w[eight] 59[oz] 8[dwt]’). 17. This denotes chinoiserie engraving, which was highly fashionable at the time. 18. PHA, 259/57, Bill for plate supplied by Richard Hoare between 28 September 1680 and 15 March 1680/1, receipted 23 March 1680/1. 19. The casters bear the maker’s mark ‘IA’ within a dotted circle, recently attributed to John Archbold. See David Mitchell, Silversmiths in Elizabethan and Stuart London, London, 2017, p. 340. 20. See, for example, 12 dinner plates by Anne Craig and John Neville, London, 1740, sold at Sotheby’s, 10–12 March 1999, lot 34. A matching set of circular dishes by the same makers, marked for 1741, returned to Blenheim Palace in 2015. See https://www.myfamilysilver. com/blog/index.php/2015/06/ silver-dishes-from-themarlborough-service-atblenheim-palace. 21. PHA, 259/57. The toilet service was decorated with ‘Chased Characters’ and weighed 442oz 15dwt. It was priced at 7s per ounce, the total cost being £154 19s 3d. 22. Victoria and Albert Museum, no. 240J&S-1879. Information from the online catalogue. 23. Home (ed.), op. cit., vol. 1, p. 170. The queen of Denmark’s service (Kunstindustrimuseet, Copenhagen) was also the model for that made for Lady Henrietta Williams-Wynn (wife of the fourth baronet) by Heming in 1768–69, now in the National Museum and Gallery of Wales, Cardiff. See Oliver Fairclough, ‘Sir Watkin Williams-Wynn and Robert Adam: Commissions for silver 1768–80’, The Burlington Magazine, vol. 137, no. 1107 (June 1995), pp. 376–86. 24. George Wickes charged the duke’s uncle, the second Earl of Strafford, 12s 2d per ounce for the silver-gilt toilet service he presented to his bride, Lady Anne Campbell, on their marriage in 1741. That service weighed 515oz 15½dwt. Including engraving and the cabinetmaker’s work for the mirror, brushes and a wainscot case, the total cost was £330 19s 6d. 25. James Lomax & James Rothwell, Country House Silver from Dunham Massey, London, 2006, cat. 73, pp. 136–46. 26. Expert report to the Reviewing Committee on the Export of Works of Art (2012–13), Case 10: ‘A Queen Anne silver-gilt toilet service, The Norfolk toilet service’. 27. Lomax & Rothwell, op. cit., p. 23. 28. Ibid, cat. 8, pp. 54–55; TNA, PROB 11/986/31, Will of Mary, Countess of Stamford (proved 3 March 1773). For the cup and cover, see Beth Carver-Wees, English, Irish, & Scottish Silver at the Sterling and Francine Clark Art Institute, New York, 1997, cat. 26, pp. 76–78. Another cup and cover (Lomax & Rothwell, op. cit., cat. 11, pp. 57–58) was owned by Mary Walton, probably the illegitimate daughter of the second Earl of Warrington and thus half-sister to Lady Stamford. 29. PHA, 11175–7, Settlement on the second marriage of the Countess of Egremont, 1767. 30. Ibid. Lady Egremont was, however, required by the settlement to bequeath the plate and other named items to her children by Lord Egremont. 31. P.W. Matthews & A.W. Tuke, History of Barclays Bank Limited, London, 1926, p. 99; TNA, PROB 11/661/197, Will of James Chambers (proved 27 September 1733); TNA, PROB 11/663/16, Will of George Wanley (proved 11 October 1729). 32. Information provided by Patricia Ferguson. 33. TNA, PROB 11/626/256, Will of Matthew Hutton (proved 6 December 1728). 34. Handbell, c. 1730 (NT 1151491); 12 dessert spoons, Elias Cachart, London, 1746–47 (NT 1151508); pair of chamber sticks, John Luff, London, 1739 (NT 1151465); pair of jugs, Edward Vincent, London, 1736 (NT 1151479). An exuberantly rococo chased coffeepot, by John Kincaid, London, 1745 (NT 1151473), and now with heraldry from the 1770s, may also have been Barbara Hutton’s. 35. National Art Library, VAM 1, Garrard Ledgers, George Wickes, f. 75. George Wickes commonly charged 5s 8d in the 1730s for the silver. For a basket supplied to Lord Cornwallis in 1737 another 3s 8d were added for fashioning. At this rate, the Erddig basket would have cost just over £32. 36. The principal pieces of Matthew Hutton’s plate to have survived are a punchbowl of 1689 by John Austin with chinoiserie decoration (NT 1151486) and a pair of baroque sconces by Benjamin Pyne of 1688 (NT 1151462). Both are likely to have been purchased second hand as, in addition to the Hutton shield, they bear armorials relating to two other, apparently unconnected, families. 37. James Rothwell, Silver for Entertaining: The Ickworth Collection, London, 2017, pp. 13–14, 97–102. 38. Rebecca Stott, Duchess of Curiosities: The Life of Margaret, Duchess of Portland, Welbeck, 2006, p. 40. 39. Patrick Eyres and James Lomax, Diplomats, Goldsmiths and Baroque Court Culture: Lord Raby in Berlin, The Hague and Wentworth Castle, Stainborough, 2014, pp. 75–87. 40. Derek Parker, Nell Gwyn, London, 2000, p. 122.

FIG 8 Two handled cup and cover, c. 1705, Isaac Liger (d. 1730), London, silver, ht 18.1cm. Sterling and Francine Clark Art Institute, Williamstown, MA Photo courtesy the Clark Art Institute FIG 9 Barbara Wanley, Mrs Matthew Hutton (c. 1692–– 1750), 1715, John Verelst (fl. 1698–1734), oil on canvas, 125.1 x 99.7cm, Erddig, Clwyd Photo: © National Trust Images

ACKNOWLEDGEMENTS I am grateful to Lord Egremont for permission to publish information on his plate, and to Christie’s for providing images. 1. J.A. Home (ed.), The Letters and Journals of Lady Mary Coke, 4 volumes, London, 1889–96, vol. 2, p. 130. 2. E.H. Burn, Modern Law of Real Property, London, 2000, pp. 1007–08. The situation was changed by the Married Women’s Property Act of 1870, which was superseded by the more comprehensive Married Women’s Property Act of 1882.

Prior to these acts a married woman could hold and devise landed property (not personal estate) but any decisions about it were dependent upon the consent of her husband. A queen regnant was excepted. 3. Archives of the Duke of Northumberland at Alnwick Castle, List of the ninth Earl of Northumberland’s plate, 1617–22. By comparison, Henry Howard, first Earl of Northampton, James I’s Lord Privy Seal and the builder of Northampton (subsequently Northumberland) House, had

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6,222 ounces of plate on his death in 1614 and Bess of Hardwick had 8,270 ounces in 1601. E.P. Shirley, ‘An inventory of the Effects of Henry Howard, K.G., Earl of Northampton, taken in 1614, with a Transcript of his Will’, Archaeologia, vol. 42, 1869, pp. 347–78; Santina Levey and Peter Thornton (eds.), Of Houshold Stuff: The 1601 Inventories of Bess of Hardwick, London, 2001, pp. 57–61. 4. Neither maker’s mark has been identified. That on the waiter is ‘IH’ with a fleur-de-lys between pellets beneath. See Ian Pickford (ed.), Jackson’s Silver & Gold Marks, Woodbridge, 1989, p. 136. That on the caster is ‘RR’ with an annulet between two pellets beneath, which does not appear in this work. 5. Burn, op. cit., p. 1008; A.C. Fox-Davies, A Complete Guide to Heraldry, London, 1985, pp. 13, 409–11. 6. Library of the Goldsmiths’ Company, Ledger of Thomas Wickes. The document is unpaginated. 7. Ibid.

8. R. Bucholz, ‘Seymour [née Percy], Elizabeth, duchess of Somerset (1667–1722)’, Oxford Dictionary of National Biography online edition [accessed 30 March 2018: https://doi.org/10.1093/ ref:odnb/21925]. 9. In 1702 the Duchess was appointed one of Queen Anne’s ladies of the bedchamber and in 1711 she was elevated to groom of the stole and mistress of the robes. The latter two roles brought a total salary of £2,600 per annum. See Petworth House Archive (PHA) 300

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